Tuesday, 10 December 2013

Assignment 1: Your Neighbourhood; Final Submission.

I live in a small suburb of Grimsby/Cleethorpes which sits on the Humber Estuary.  As I spend a lot of my time at Cleethorpes and on the beaches and salt marshes that border the resort with both my landscape and wildlife photography I have decided to base this assignment on this location as it is my 'local patch'.  I also used Cleethorpes as a subject for the very similar assignment in Photography 1: People and Place.  Having decided to use the Cleethorpes area again, I began by looking through my work for P&P and was rather pleased to feel that my work has definitely improved.  I then put those images to one side and went out to take some fresh ones especially for this assignment.  As well as conveying a strong sense of place, I also wanted to display a range of styles of photography.

Cleethorpes is small seaside resort adjoining the port of Grimsby.  I wanted to show some evidence of its use as a resort, but to me Cleethorpes and its environs mean wide and expansive beaches, salt marshes and huge skies.  The estuary is of international importance for wildlife, and hundreds of thousands of waders, geese and waterfowl migrate to spend the winter here.  I feel that it is important that my photographs also illustrate this aspect of the area.  The beach at the southern end of the resort is a well known and popular location for kite surfing and I wanted to make it the subject of some of my photographs.  It would also give me the opportunity to include some action shots.  The kite surfing takes place within sight of the Bull and Haille sand forts, part of the first world war coastal defences.  Another aspect of Cleethorpes that I wanted to photograph was the town at night looking from the beach towards the prom.  The aim of shooting from this location was to capture a reflection of the lights in either the water or wet sand.  One small claim to fame for Cleethorpes is that it is on the Greenwich Meridian and the town makes quite a feature of this, one example being the meridian itself as a strip of metal with a notice board and signpost indicating both the north and south poles and their distances as well as such destinations as London, New York and Tokyo.  Although a flat estuarine part of the coast, the area does have its wrecks which are revealed at the lowest tides and I wanted to include these.
I made several photographic visits to my location during the late summer and autumn in order to cover the various subjects and optimum times.  For the night shots I needed the lights to be on, which I discovered only happens at weekends; the tide also needed to be right.  For my wader images I needed high tide to bring the birds within camera range.  I chose a high tide which coincided with sunrise and used only a medium telephoto as the aim was to  include the flock rather than portraits of individual birds.  For my 'tourist' pictures I opted for a sunny late summer weekend when there would be a good chance of plenty of visitors being present.  For some of the landscape shots it was necessary to keep an eye on weather forecasts and visit at sunrise and sunset.  Many times the hoped for explosion of colour at this time of day just didn't happen.
I have chosen to present the assignment as a set of digital images on a DVD along with my  self-appraisal as a word document.  In this way it could later be easily presented for final assessment.  All parts of this assignment are also on my learning blog. I have presented the images in an order to represent one typical day from sunrise to after dark The image files are JPEGS at 1284 pixels longest side and 72 dpi to be suitable for viewing on screen.  When I print images I print straight from Lightroom at 300dpi using the appropriate ICC profile for the paper I use.  I have used Adobe RGB colour space as there is a wider range in the colour palette at this setting and therefore more vibrant colours.  I usually also have my camera set to Adobe RGB.
I do the minimum of post processing and like Ansel, Adams and Edward Weston, I try to' previsualise' an image and capture that image in camera. My workflow and post processing is similar for all of my photographs after capture:
·        import into Lightroom 5;
·        crop if needed;
·        adjust exposure/levels;
·        if necessary adjust the white balance/colour temperature;
·        if necessary employ the ND grad feature in Lightroom after using the highlight slider;
·        increase clarity and vibrance slightly and, depending if I have increased the colour temperature, slightly increase the saturation.
I tend not to use ND grads in the field as my cokin ones can give a magenta colour cast.  I use the ND grad facility in Lightroom 5 as I know that it is neutral.

I feel that my portfolio matches my original aims: show a variety of genres and styles and the varied aspects of the town.  However, I feel that editing down to only 15 images perhaps didn't give enough scope to show everything I wanted.  In retrospect I may have been better sticking to one genre, in which case I would have opted for landscape.

Final Set of Images for Submission. To view large, click on a thumbnail)

The order of the images portrays a 'typical' day in Cleethorpes from sunrise through to night time.
















Alternative Images that were considered.



















Assignment 1: Storm Surge in the North Sea Creates a Dilemma.

I suppose the storm surge in the North Sea last week created lots of dilemmas for many people but it created one for me as far as Assignment 1 is concerned.  I went down to Cleethorpes the morning after the main damage was done because high tide coincided with sunset.  The waves were spectacular as was the sunset.  The dilemma is; do I include any of the images as part of the assignment which I had decided was completed.
To view large, click on a thumbnail.












Wednesday, 4 December 2013

Experiments with Star Trail Photography.

As it was a fine clear evening I decided to have a go at taking a star trail picture tonight.  After some trial exposures I settled on 800 ISO with 30 secs @ f4 which gave a good result for a single image.  I then set the camera to continuous and recorded 99 images over an hour.  These were  stacked  together using Star Trails software.  As I live in a town I set the white balance to the lowest colour temperature possible to remove the orange glow from the street lights. I was quite pleased with the result for a first attempt.


Assignment 1: Foiled by the local council.

I had wanted to revisit the lights at Cleethorpes both at high tide to try to improve on the 'straight' night shot of the lights and also after high tide in order to have another go at my zoom burst image.  I made two return visits only to find that the lights were not switched on!!  As it happened, at high tide, it was not possible to get into position to improve on the reflection and anyway I think that perhaps the reflection in wet sand was probably better as the texture in the sand is clear.  As far as the zoom burst went I had another look at one of my original shots and found that I could crop it in a way that pleased me.  I would have liked to have positioned myself at right angles to the lights in order to secure a symmetrical burst, but in the end I like the asymmetry of this shot; it reminds me of the light from a lighthouse sweeping across the sky.

 Although the image below is from my archives and taken in 2011, it really epitomises Cleethorpes for me as this huge flock of waders take to the air at high tide at the south of the resort.  As it is an old image, I may well not use it in my final selection.

This shot from my archives of the Cleethorpes Light Railway is another that I would have liked to have repeated for this assignment, but unfortunately by the time I started photographing for it the steam service had been removed for the winter.




Monday, 2 December 2013

Justin Jin: The Zone of Absolute Discomfort; British Journal of Photography.




Justin Jin is a Hong Kong born photographer now based in Brussels. He is an internationally-renowned photographer who shoots epic projects in the arctic and also specialises in shooting projects about booming Chinese cities. He says of himself, "I can hold my own with vodka-drinking convicts in Russia, shoot the breeze with celebrities in China, and eat raw reindeer brain with nomads in the Arctic. In my 15 years working with some of the world’s best clients, I cross mountains, borders and permafrost to find unique stories."
I came across Justin Jin when browsing BJP online. I was attracted by the article 'Justin Jin: The Zone of Absolute Discomfort'. I was interested in the article as I have an interest in environmental matters and it also reminded me of my anger and sadness regarding fly-tipping in the country side. I see a great deal of this when walking and cycling in Lincolnshire, even in Areas of Outstanding Natural Beauty and nature reserves.
When the Soviet Union collapsed, the mines in Arctic Russia and Siberia and the communities that grew out of them were abandoned. There was an immediate environmental crises because the Soviets had no regard for nature but there was also a social crisis because suddenly there were no jobs. This created such problems as divorce, drug use and teenage pregnancies. Justin Jin has been photographing this area and its people for the past six years.
The project was first conceived in 2009 when he was living in Moscow and visited the area with another colleague. The colleague lost interest but Jin went back another five times. Until 2011 he concentrated on documenting the communities but then he discovered that huge pockets of oil and gas were found and the Russians suddenly realised that the Arctic was of strategic importance. At one time mineral extraction was based around the local communities but today Moscow sends in teams of foreign workers who live in gated camps, work shifts and leave. The local communities become 'rotten villages where only the sick and alcoholics remain'.
For hundreds of years this part of Arctic Russia was home to the Nenets, nomadic reindeer herders. Later came descendents of former Soviet prisoners and the rich oilmen wanting to make a large profit. The Soviet government tried to force the Nenets into collective farms or settle them into apartment blocks. Many escaped and continued their nomadic way of life. These are the people that Jin photographed.
He also photographed the urban cities in the far north where the Soviet government had provided accommodation and high salaries to attract workers to the mines. The area bloomed for a while but no regard was paid to the environment and the land became scarred. When photographing the area, Jin describes it as an environmental horror. When the new regime lost interest in the region, things spiralled downwards, both environmentally and socially.
The new era of gas and oil extraction by international companies has further eroded the Nenet lifestyle. In this latest battle for the Nenets there is only one potential winner.
Jin's images are richly saturated colour ones. His photojournalistic style encompasses, landscape, social documentary and portrait genres. Some are graphic and horrifyingly depressing, others, featuring the Nenet people and landscapes, are hauntingly beautiful He has captured in his images and words the horror of what is happening to this region and the lack of care the Rusian regime has for it. There is no wonder organisations such as 'Friends of the Earth' campaign against it and risk imprisonment.

As awful as this story is, Arctic Russia is not on its own. The American Arctic is being treated in a similarly callous manner. There are many, many, environmental disasters in the world and this is why fly-tipping in Lincolnshire saddens me and is why I might consider it for a topic of assignment 3 later in the course.

Fly-tipping in Lincolnshire.

Fly Tipping in Lincolnshire.
Websites consulted.

http://www.bjp-online.com/british-journal-of-photography/project/2201023/justin-jin-the-zone-of-absolute-discomfort
http://justinjin.com/
http://justinjin.com/reportage/arctic/
https://www.google.co.uk/search?q=justin+jin&rlz=1T4AURU_enGB501GB502&tbm=isch&tbo=u&source=univ&sa=X&ei=bYmcUpfeE4Wn0AWNmoHoDw&ved=0CFAQsAQ&biw=1920&bih=953